Teaching
Poem in Nepal
Creating a poem is summarizing what life
is and teaching it, is making an academic effort to immortalize the poet. This
is what I believe in.
Abstract
This piece of writing aims at presenting simple stages of teaching a poem. Ways of teaching a poem are many and varied. However, I've tried my best to give general stages of teaching a poem. A poem may be difficult to understand as it consists of writer's point of view, style and intention. It might have used various literary terms and complex writing mechanism. Successful teaching and learning undergo through various steps along with number of activities. This article further sheds light on the fact that a poem can be used as technique of teaching particular grammatical structures too. If a teacher uses simple poem as an activity to teach some grammatical items the classroom presentation becomes lively and meaningful learning takes place on the part of the learners. Poems have an immense linguistic value as they provide authenticity and cultural values. Poems can be regarded as a useful resource for practicing language structures. I think teaching a poem is a technical as well academic work that can immortalize a poet. A poet can be immortal if his/her poems remain popular among generations to come. To be transmitted to his/her ideas and broadly speaking culture to the future generation, it is necessary to be read. Generally, teaching and reading go side by side. In most of the cases, teaching is prerequisite to reading. Poetry makes use of deviated form of languages. Literal meanings are rare. Wide possibility of ambiguities is true. Figurative use of language is the main feature of a poem. The central idea moves round the nature of the poet. This means his/her feelings, thoughts, styles and opinions are the responsible factors for the complexity of a poem. Therefore, background information of a poet precedes actual classroom teaching. Some poems can be understood without knowing the poet and his details as well which don't require information of the writers. Another important thing is the 'word'. Most of the readers/teachers look for meanings for the gist. But it is true that meaning of each and every word is not necessary to understand a piece of writing. Instead, student centered activities are very important for clinical teaching and student’s participation is the first and foremost requirement.
A poem is a technical tool to express
thoughts and feelings of poets. The theme or the intention of the writer cannot
be understood knowing the meanings of only single words and sentences. Perfect
understanding demands practical knowledge of form, poetic device used and the
writer's intention as well. "A
piece of writing in which the words are chosen for their sound and images they
suggest, not just for their obvious meanings. The words are arranged in
separate lines, usually with repeated rhythm and often the lines rhyme at the
end." Oxford Advanced Learner's Dictionary 8th edition. In this
way, poems are rich in metaphors and figurative uses of language and to understand
it one needs technical knowledge about the deviated form of language and its
use.
Besides, poetry provides readers with
opportunity to generate own meanings which doesn't take account of a poet's
background information. "Poetry is any strongly felt experience expressed
in rhythmic language. It makes the best use of expressional possibilities of
language by allowing free play to extensions of meanings." (Lohani and
Devkota, 1998. P, iii)
It
is evident that no readers no poems at all. Teaching a poem is not only
creating environment for learners where they carry out various activities to
understand it but also to contribute to increase the number of readers making a
poem popular among readers. The increase in readers make a poet long lived.
This causes poet's ideas to transfer from one generation to another in an
endless cycle but without teaching it is almost impossible.
Poetry
is one of the interesting ways of contextualizing a grammar lesson. A poem, in
a language classroom, generates such an effect that engages tongues, ears and
even eyes of the students. A poem produces such a situation where the learners feel
comfortable in the classroom. In this way a poem can be taken as a device for
teaching particular structures of language such as conditional, progressive,
present tense etc. In this context, I think it is relevant to put a part of a
simple poem that has been created by me to give students the concept of
conditional sentence type 2. It goes:
If were a gardener
I would plant red roses for you
If I were a poet
I would write beautiful poems too
But as I'm only an average boy
I sing a song for you
As best as I can.
If I were in the government
I would
give you the best constitution
If I
were a policy maker
A good
educational policy too.
But as
I'm just an average teacher
I
facilitate your learning
As best as I can.
There are many poems written by
famous poets for contextualizing a grammar lesson in an interesting way.
Simply, students are remarkably enthusiastic to read and listen to a poem. It
is evident that once a poem is learned, it stays in students' mind rest of
their lives with all grammatical features and vocabulary. "Poetry is a particularly
effective tool for practicing a particular grammatical structure because its
very nature demands that it be spoken, repeated, wrestled with, and considered.
With each repetition and consideration, the structure becomes more deeply
internalized." (Celce-Murica and Hilles 1998, p.122). 'Surprise party' is
a poem for contextualizing 'Past Progressive'. This poem goes:
When I reached my house at seven
Max was playing the guitar.
Jane was sitting on the table
eating pickles from a jar.
Mark was sitting at the piano
playing sonatas for Louise,
and my parrot Paul was singing all the tunes and melodies.
Bob was sleeping under the table:
he couldn't even stay awake.
And my dog was in the Kitchen
eating up the birthday cake.
(Celce-Murica and Hilles 1998, p.121)
Teaching
poetry needs special participatory effort on the part of the students/learners.
In other words, teaching itself is a creative task and teaching poem is
something more than it and therefore, it requires a lot of pre-reading, while
reading and follow up activities. The students should be familiar with the
background information of the poet. Moreover, there are some other important
things to be considered before and while teaching a poem such as theme, setting,
tone, form, relevancy, implication and the poetic devices used in it.
In the context of Nepal, particularly in the
eastern part of Nepal, either in a school or a college, teaching poem is
entirely teacher centered. That is to say, Grammar Translation Method is in
massive use in teaching poem. Student participation is very rare. They are just
silent participants or passive listeners. They just do what they are asked to follow
i.e. listening carefully and note taking. We, the teachers generally do the
following things in the classroom:
·
We slightly talk about the poet, followed
by the background of the poem.
·
We translate the poem into Nepali.
·
We give line by line meaning of the poem.
·
We give summary and the theme or the
central idea of the poem.
The
above mentioned four things give the picture or glimpse of what we, the
teachers of Nepal do in the name of teaching poems. Obviously, these activities
kill the creativity and the potentials of the learners instead of helping them
to understand what the poet intends to express through the poem. It is because
teaching poem is not a spoon fed activity. It is really a creative work
requiring intuitive, academic and practical knowledge in depth. We should be
sure that we can't teach our learners anything but we can help them to learn
something.
Some of
us, the teachers are worried about words. So, we try to teach them the meaning
of each and every word deductively. As inductive teaching requires various
activities to activate students to find the meaning of words, we happen to look
for each word in the poem. In this way, dictionary has been made as sole
material for teaching poetry. But it is true that we don't have to know the
meaning of all the words to understand a piece of writing. That is to say, an
inventive teacher is the one who is able to determine the necessary words to be
dealt with while teaching a particular poem.
Teaching procedures
The following stages can be suggested in teaching
poems:
Step 1: Introducing the poet to the students
·
Giving brief background information of the
poet.
·
Telling interesting things/facts about the
poet if any.
·
Motivating students to find out something
about the poet.
·
Giving information of the works/ creation
of the poet.
·
Asking some questions relating to poet's
life, manner, and character and so on.
·
Making as many comparisons as possible.
Step 2: Introducing the poem to the students.
·
Giving brief information of the poem such
as what the poem is about, when it was written but detailed information at this
stage is not advisable.
·
Motivating students through some
enthusiastic talks about poetry.
·
Reading the poem loud enough to hear in
the classroom several times.
·
Asking the students to close eyes and pay full
attention while reading to them.
·
Eliciting students' response.
·
Asking
them to follow while reading aloud.
Step 3: Dealing with the form of the poem.
·
Rhyme, rhythm, stanza/verse, arrangement
·
The rhetorical devices used (simile,
metaphor, etc.)
·
Helping students with figurative meanings.
·
Exploiting unusual language features.
Step 4: Dealing with the linguistic features of the
poem
·
Telling the students that poetry generally
has unusual syntax.
·
Asking the students to read the poem time
and again to paraphrase it.
·
Helping the students to find the common
paraphrased form of the poem.
·
Having discussion on some necessary
vocabularies at this stage.
·
Organizing some activities to minimize
likely linguistic difficulties.
Step 5: Dealing with the content of the poem.
·
Asking questions about the content of the
poem.
·
Encouraging the students to discuss the
content of the poem.
·
Dealing with the cultural content of the
poem.
·
Organizing various activities to overcome
the difficulties that act as the cultural barriers.
Stage 6: Reviewing the plot of the poem
·
Asking students to review the poem to get
the deeper meaning.
·
Encouraging the students to find the theme
of the poem and own meaning.
·
Relating own experiences with the subject
matter and encouraging the students to do so.
·
Asking students to write a poem on any
topic they want.
Conclusion
In a nutshell, the above mentioned steps of
teaching poem are hoped to be universally applicable but not the full and final
ones. This implies that there is no hard and fast rule of teaching poem. An efficient teacher makes use of own steps on
the basis of the topic, level of the students and their needs. In fact, various
activities that engage and stimulate students should be given emphasis.
Moreover, various games, puzzles and fun activities that bring life and laughter
in the classroom are important. Such activities can be useful materials to
reduce multiple ambiguities of metaphorical language. Traditional practices are
still in wide use which should be discouraged. For this, a teacher should be
hardworking, dedicated and inventive. A teacher who is very good at setting
relevant activities to explore ideas of the learners is a real teacher.
REFERENCES
Celce-Murica, M. and Hilles, S. (1998). Techniques
and resources in teaching grammar. Oxford:
OUP
Ghimire, R. P. (2013). English
Grammar for Teachers. Kathmandu: Sunlight Publication.
Giri, R. A. (1981). A comparative
study of English language proficiency of the students studying
in Grade ten of Doti and
Kathmandu district. An unpublished M.Ed. Thesis.
Kathmandu.
Khaniya, T.R. (2005). Examination
for Enhanced Learning. Kathmandu: Millennium
Publication.
Kumar, R. (1990). Research
Methodology. London: Sage Publication.
Lazar, G.(1993). Literature and
Language Teaching. Cambridge: Cambridge University Press.
Lohani, S. P. and Devkota, P.P.
(1998). Generations. Kathmandu: Modern Printing Press.
Rai, S. (2010). Communicative
Proficiency of the students. An unpublished M.Ed. Thesis.
Kathmandu.
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